Wednesday, April 28, 2010

Entre soleil et lune // china ink and acrylique on kraft paper reinforced on wood // 120x240 cm // by L. Ghorayeb & M. Kerbaj 2010










TOI ET MOI ET LE PAPIER PEINT
a 4 hands exhibit with lebanese painter laure ghorayeb (who also happen to be my mother)

is finally ONLINE !!!


dear friends,
for all of you who missed this exhibit that took place in beirut in march-april 2010, i finally uploaded ALL the drawings/paintings on my flickr page. the photos are not great, but they show at least what this quite unique experience gave birth to.
here's the link to the set (to enlarge a photo, first click on it than click the "all sizes" button that appears above it):

http://www.flickr.com/photos/kerbaj/sets/72157623820131805/detail/

(by the way, if you are filthy rich and/or you are looking for a good investment for the future of your kids, some of the paintings are still available for sale. please send an email for more info about any piece you are interested in)

Thursday, April 22, 2010

WORMHOLES #1 (excerpt 3/3)



THIS IS PART 3/3 FROM THE FIRST WORMHOLES PERFORMANCE (BEIRUT 2009).
(here's the links for the first and the second excerpts)

SECOND PERFORMANCE WILL TAKE PLACE AT LES HALLES, BRUSSELS (halles.be) NEXT WEEK (29/04/10).

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Wormholes is an ongoing audio-visual project by Mazen Kerbaj and Sharif Sehnaoui. It is performed live and in total improvisation mode.
The excerpt shown here is taken from the first performance, Wormholes #1, played at Beirut Art Center on November 18th, 2009.

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WORMHOLES by Sharif Sehnaoui:

The question of a music/drawing duo has been persistent since the early stages of my artistic relation with Mazen Kerbaj, but how to frame it?

In 2008, Mazen came to me with a new system he had developed, that could allow him to perform in a live setting. It consists of drawing on a glass table, using a wide array of ink, water, solvents, brushes and various unidentified objects. With this setting, both sound and visual elements are improvised and exist only during the timeframe of the performance. Nothing is permanent or even fixed, the lines have their own life, they are constantly modifying. As I can stop the sound of my guitar by muting the strings with my hand, Mazen can erase his entire drawing with one move. The possibilities for interaction have increased considerably.

Wormholes is an attempt to alter a specific segment within time and space, hoping to open a corridor between two artistic disciplines, allowing them to give each other meaning. It is in many ways the outcome of over 12 years of artistic collaboration and understanding. (Sharif Sehnaoui)
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